Vincent Van Gogh, Painted with Words: The Letters to Emile Bernard

Vincent Van Gogh, Painted with Words: The Letters to Emile Bernard
This important, groundbreaking publication contains the illustrated letters between two great modern artists–Vincent van Gogh and ?mile Bernard. The original letters were previously in private hands and have not been seen for approximately seventy years. Here they are published in association with the Van Gogh Museum in Amsterdam and an exhibit at The Morgan Library & Museum in New York. In addition to the letters, the book also includes paintings, photographs, and drawings by both artists, as well as works by artists of the period, such as Paul Gauguin and Jean-Fran?ois Millet. These letters, written between 1887 and 1889, are among the most important and relevant sources of insight into van Gogh’s life and art. They bridge the time when van Gogh was living and working in Paris, where he painted most of his self-portraits (mainly because he was unable to afford models), to the small town of Arles, in Provence. Here he adopted new types of compositions and developed new ideas about color–all of which he describes in detail in letters to his friend and fellow painter Bernard. Only a year later, in July 1890, van Gogh died, at the age of thirty-seven. The authors have carefully placed each letter in context of relevant events and have written authoritative commentaries on the content of the letters.
Customer Review: A life examined in a new light
As a writer, I found this book very much of a revelation. Why? Simply put, Vincent van Gogh (Dutch, 1853-1890) was a prolific writer of letters. He wrote hundreds of brilliant letters to fellow artists, friends and his brother, Theo. Much of a persons character, thoughts, likes and dislikes, loves and hates, fears and loneliness can be found in letters. Both the darkness and the light of the soul come through in personal letters as they are often inner directed as much as directed to the receiver.
Many of these letters tell the story of life. They give us a glimpse of the ideas behind his art. They seem to prove that he was very much in his right mind and that he was not suffering from any sort of mental disability as some have thought.
The letters written to the French painter, Emile Bernard (1868-1941), who was twenty-years-old in 1888, are of great significance. In these, the artists share ideas when van Gogh was working in Arles in the South of France.
This is a very fine work. It’s interesting reading and seems to bring the characters to life.
Highly recommended.
- Susanna K. Hutcheson
Customer Review: A VOLUME TO BE READ, REREAD, AND TREASURED
A friend of many Impressionists, Vincent van Gogh stands alone among artists, beloved, admired and respected by millions. While many of his paintings are familiar to us, this beautiful volume offers insights into his thinking, his cretaive process, and his life. The letters presented herein were written between December 1887 and November 1889 to his younger friend and colleague, Emile Bernard. These epistles are priceless as they focus to a great extent on artistic questions and, at the same time reveal a man blessed with a unique style and plagued by doubts.
Letters in this volume are numbered from 1 to 22. Facsimiles of all are presented. With these we are privy to the artist’s apparent disregard for apostrophes and his cavalier use of capital letters. A joy and privilege to see the writing in his own script, complete with drawings and crossed out words.
Following the facsimiles one finds the letters printed in the original French along with transcriptions. Also included are generous full color reproductions of paintings by van Gogh and Bernard, many of which are discussed in the epistles as van Gogh both criticized and praised the younger artist. What comes through very clearly in the correspondence is the depth of friendship the two men shared.
Van Gogh’s last letter was written mere months before he took his own life.
Vincent van Gogh Painted with Words is a volume to be read, reread, studied, and treasured. It contributes immeasurably to our understanding of this troubled genius.
Highly recommended.
- Gail Cooke
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The Art-Pack celebrates the genius of the world’s greatest painters, from Michelangelo to Monet. The 54 MASTERPIECES on the face of the cards on this beautiful collector?s pack offer a unique introduction to WESTERN PAINTING, and will enliven every card game. The GREAT PAINTING features on these Playing Cards belong to the world?s finest public collections and museums. The superb photographic archive of “The Bridgeman Art Library? in London has made these faithful reproductions possible. Including Van Dick, Botticelli, Rousseau, Lawrence, Ingres, Murillo, Rubens, Rembrandt and More. Size: 63 x 88mm.
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The Art-Pack celebrates the genius of the world’s greatest painters, from Botticelli to Klimt. The 54 MASTERPIECES on the face of the cards on this beautiful collector?s pack offer a unique introduction to the “NUDE WESTERN PAINTING”, and will enliven every card game. Including: Nouy, Boucher, Goya, Ingres, Cranach,Titian, El Greco and More Size: 63 x 88mm.
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A great majority of Van Gogh’s works by which he is remembered were produced in 29 months of frenzied activity and intermittent bouts with epileptoid seizures and profound dispair that finally ended in suicide. This fine art necktie was inspired by Vincent Van Gogh’s Night with Stars”. Each tie is hand made from 100% silk.”
Customer Review: These ties are great!
Love these ties, can’t wait to see the recipient’s face when they receive it-beautifully made!
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For those interested in some very-informative background information concerning how and why, during the last seventy days of his life, Vincent van Gogh was able to produce over seventy incredibly-beautiful final masterpieces, the recent historical novel “The Last Van Gogh” (Penguin) by the internationally acclaimed author Alyson Richman provides some amazing insight. The author traveled to the French village of Auvers-sur-Oise on a number of occasions and meticulously researched the period during which Van Gogh lived there, even interviewing a number of the village’s elders, who knew his last muse, Magaret Gachet, the daughter of the homeopathic doctor who was treating Van Gogh at the time. It’s truly a wonderful novel, beautifully written and highly recommended. For anybody who loves Van Gogh’s works, this book should prove unbelievably fascinating. [Incidentally, Ms. Richman is also the author of the highly-reviewed novels “The Mask Carver’s Son” (Bloomsbury – 2000) and “Swedish Tango” (Simon & Schuster – 2004).]
The exciting new information about Van Gogh that Ms. Richman researched and incorporated into her fascinating new novel has already generated considerable interest and enthusiasm in lectures and discussion groups at fine art museums around the country, including the Cleveland Museum of Art, the Dayton Museum of Fine Art the Heckscher Museum of Art (in Huntington, New York) and the Virginia Museum of Fine Arts.